Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 65
... stage . Secular conceptions of the devil and the witch were ready at hand , well - prepared to replace the demon of the medieval drama . An analysis of these con- ceptions , especially their origins , is essential to a clear ...
... stage . Secular conceptions of the devil and the witch were ready at hand , well - prepared to replace the demon of the medieval drama . An analysis of these con- ceptions , especially their origins , is essential to a clear ...
Seite 67
... stage area , where an operator would blow aqua - vitae through it to reach a lighted candle pre- viously placed in the dragon's mouth , at which small flames would be emitted . ( Sabbattini also describes a sim- ilar device to produce ...
... stage area , where an operator would blow aqua - vitae through it to reach a lighted candle pre- viously placed in the dragon's mouth , at which small flames would be emitted . ( Sabbattini also describes a sim- ilar device to produce ...
Seite 71
... stage . If such a method was used at the end of I.i in Macbeth to represent the fog into which the Sisters vanish , the effect could then have merged with the off - stage sounds of battle required by the direction ' Alarum within ' at ...
... stage . If such a method was used at the end of I.i in Macbeth to represent the fog into which the Sisters vanish , the effect could then have merged with the off - stage sounds of battle required by the direction ' Alarum within ' at ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words