Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 148
... mind , a spectator uncontaminat- ed by criticism must think of them as sui generis , a mystery . The mystery extends to their relationship with Macbeth . [ In his edition of Macbeth ] Dover Wilson assures us that " Macbeth exercises ...
... mind , a spectator uncontaminat- ed by criticism must think of them as sui generis , a mystery . The mystery extends to their relationship with Macbeth . [ In his edition of Macbeth ] Dover Wilson assures us that " Macbeth exercises ...
Seite 281
... mind based on unrealistic expectations ; a mind therefore hesitant to look too closely at the world as it is . Under the pressure of actual life , so unguardedly sanguine a hope dialectically produces its opposite , extreme ...
... mind based on unrealistic expectations ; a mind therefore hesitant to look too closely at the world as it is . Under the pressure of actual life , so unguardedly sanguine a hope dialectically produces its opposite , extreme ...
Seite 355
... mind must have substantially controlled what he had to say . Strachey , through an eye- witness , is nonetheless guided by rhetorical , polemical and literary considerations . Polemical motives aside , it would have been difficult for a ...
... mind must have substantially controlled what he had to say . Strachey , through an eye- witness , is nonetheless guided by rhetorical , polemical and literary considerations . Polemical motives aside , it would have been difficult for a ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words