Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 182
... lovers do not remember what happened the night before , but the audience does and is prepared to accept the resolution that follows . Unlike the sentimentalist , who believes that every grasp- ing slumlord can be moved to generosity by ...
... lovers do not remember what happened the night before , but the audience does and is prepared to accept the resolution that follows . Unlike the sentimentalist , who believes that every grasp- ing slumlord can be moved to generosity by ...
Seite 212
... lovers ' travails , for it formally exemplifies in its artificial and stagey way the very con- straint it otherwise protests . We may even suspect that these lovers are rather enjoying their plight , indulging themselves in their own ...
... lovers ' travails , for it formally exemplifies in its artificial and stagey way the very con- straint it otherwise protests . We may even suspect that these lovers are rather enjoying their plight , indulging themselves in their own ...
Seite 232
... lover to share our one - to - oneness with another lover . Hence I perceive Lysander's smiling as a cruel ridicule . The comedy , however , like today's lovers , rejects posses- siveness . Hermia's father states the theme : " As she is ...
... lover to share our one - to - oneness with another lover . Hence I perceive Lysander's smiling as a cruel ridicule . The comedy , however , like today's lovers , rejects posses- siveness . Hermia's father states the theme : " As she is ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words