Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 226
... look how I do quake with fear . Methought a serpent eat my heart away , And you sate smiling at his cruel prey . Lysander ! what , remov'd ? Lysander ! lord ! What , out of hearing gone ? No sound , no word ? Alack , where are you ...
... look how I do quake with fear . Methought a serpent eat my heart away , And you sate smiling at his cruel prey . Lysander ! what , remov'd ? Lysander ! lord ! What , out of hearing gone ? No sound , no word ? Alack , where are you ...
Seite 229
... look how I do quake . . . . " The day before , she had parted from Lysander by saying that , " we must starve our sight / From lovers ' food till morrow deep midnight " ( I.i.222-23 ) . The sight of the beloved is lovers ' food . We ...
... look how I do quake . . . . " The day before , she had parted from Lysander by saying that , " we must starve our sight / From lovers ' food till morrow deep midnight " ( I.i.222-23 ) . The sight of the beloved is lovers ' food . We ...
Seite 391
... Look thou be true ; do not give dalliance Too much the rein : the strongest oaths are straw To th ' fire in ' the ' blood : be more abstemious , Or else , good night your vow ! ( IV , 1 , 51 ) At this point I think we might ask a ...
... Look thou be true ; do not give dalliance Too much the rein : the strongest oaths are straw To th ' fire in ' the ' blood : be more abstemious , Or else , good night your vow ! ( IV , 1 , 51 ) At this point I think we might ask a ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words