Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 74
... later in the scene . John P. Cutts in Musique de la Troupe de Shakespeare ( Paris , 1959 ) prints the contemporary music for two witches ' dances composed by the court musician , Robert Johnson . He argues that one of these dances was ...
... later in the scene . John P. Cutts in Musique de la Troupe de Shakespeare ( Paris , 1959 ) prints the contemporary music for two witches ' dances composed by the court musician , Robert Johnson . He argues that one of these dances was ...
Seite 205
... later did for Hamlet . Lacking any joke on Moth , I was content to associate him with the fluttery beauty you pronounce moth . As the name of Robin Goodfellow brought jocularity to fairyland and the names Cobweb , Peaseblossom , Mus ...
... later did for Hamlet . Lacking any joke on Moth , I was content to associate him with the fluttery beauty you pronounce moth . As the name of Robin Goodfellow brought jocularity to fairyland and the names Cobweb , Peaseblossom , Mus ...
Seite 268
... later that begins , " How sweet the moonlight sleeps upon this bank ! " But here as later a discordant note slips in , even as the mel- lifluousness of the lines , the soft alliterations and rhythm beguile the listener - the less ...
... later that begins , " How sweet the moonlight sleeps upon this bank ! " But here as later a discordant note slips in , even as the mel- lifluousness of the lines , the soft alliterations and rhythm beguile the listener - the less ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words