Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 155
... kind of vision altogether foreign to the simple fighter who was good at unseaming . ' At least we'll die with harness on our back ' , he still says , but the ' At least ' shows how vain a consolation this is . His only true consolation ...
... kind of vision altogether foreign to the simple fighter who was good at unseaming . ' At least we'll die with harness on our back ' , he still says , but the ' At least ' shows how vain a consolation this is . His only true consolation ...
Seite 231
... kind of level - by - level exegesis you have just read makes up part of that relation : working out the im- plications of the dream through such schemes as Erik- son's for analyzing the interaction of manifest and latent content or the ...
... kind of level - by - level exegesis you have just read makes up part of that relation : working out the im- plications of the dream through such schemes as Erik- son's for analyzing the interaction of manifest and latent content or the ...
Seite 395
... kind : reminding us what has happened , and telling us how to take it . So we do get a strong feeling of a Prospero efficiently winding up the play . He is so good at it that we hardly notice that he's winding up a play which we haven't ...
... kind : reminding us what has happened , and telling us how to take it . So we do get a strong feeling of a Prospero efficiently winding up the play . He is so good at it that we hardly notice that he's winding up a play which we haven't ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words