Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 95
... human action , no separation of consequence from intention , no gratification of desire , no showing of one's hand in what happens . It is a wish to escape a condition of the human which , while developing terms of Emerson's essay ...
... human action , no separation of consequence from intention , no gratification of desire , no showing of one's hand in what happens . It is a wish to escape a condition of the human which , while developing terms of Emerson's essay ...
Seite 129
... human nature to make life auto- matically defer to art . Nevertheless , the point Shakespeare makes through Macduff is clear : bravery and compassion are not incompatible ; they are both natural , human at- tributes . When Macduff says ...
... human nature to make life auto- matically defer to art . Nevertheless , the point Shakespeare makes through Macduff is clear : bravery and compassion are not incompatible ; they are both natural , human at- tributes . When Macduff says ...
Seite 133
... human wholeness , his androgynous vision . Shakespeare , in Macbeth and all of his plays , holds a mirror up before our human nature which reflects honest- ly , in depth , the good and ill together . This act stems from his assumption ...
... human wholeness , his androgynous vision . Shakespeare , in Macbeth and all of his plays , holds a mirror up before our human nature which reflects honest- ly , in depth , the good and ill together . This act stems from his assumption ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words