Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 84
... eye opposition are both visual and verbal . The dagger which marshals Macbeth towards Duncan's chamber is a false creation of the heat - oppressed brain which makes fools of his eyes as it moves invitingly before him , ' the handle ...
... eye opposition are both visual and verbal . The dagger which marshals Macbeth towards Duncan's chamber is a false creation of the heat - oppressed brain which makes fools of his eyes as it moves invitingly before him , ' the handle ...
Seite 206
... eyes we had already recognized the three major components of fairyland - folk , romance , and classical . Seeing at once through the eyes of characters from Ath- ens and through our better - informed eyes , we were con- structing in our ...
... eyes we had already recognized the three major components of fairyland - folk , romance , and classical . Seeing at once through the eyes of characters from Ath- ens and through our better - informed eyes , we were con- structing in our ...
Seite 228
... eyes . Further , when Helena comes upon the sleeping Hermia and Lysander right after Puck leaves , she is complaining that her eyes will not attract Demetri- us the way Hermia's eyes do . Then , almost the first thing Lysander says when ...
... eyes . Further , when Helena comes upon the sleeping Hermia and Lysander right after Puck leaves , she is complaining that her eyes will not attract Demetri- us the way Hermia's eyes do . Then , almost the first thing Lysander says when ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words