Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 117
... Evil ' is the obvious antithesis of the Scottish tyrant whose sole name blisters on our tongues ( IV.3.12 ) and who has in- fected his country with some foul disease . Those magic powers of the king are not simply meaningful in the con ...
... Evil ' is the obvious antithesis of the Scottish tyrant whose sole name blisters on our tongues ( IV.3.12 ) and who has in- fected his country with some foul disease . Those magic powers of the king are not simply meaningful in the con ...
Seite 282
... evil , the antithesis of Miranda or Ariel , the counterpart of Anto- nio . His baseness is shot through with gleams of aspira- tion , though the mixture is unstable and the diverse mo- tives often undifferentiated . He displays the most ...
... evil , the antithesis of Miranda or Ariel , the counterpart of Anto- nio . His baseness is shot through with gleams of aspira- tion , though the mixture is unstable and the diverse mo- tives often undifferentiated . He displays the most ...
Seite 299
... evil , espe- cially sexual evil has been a central concern , nearly foiled by Caliban's attempted rape . Now that the outside world must again be confronted ( Prospero cannot neglect this providential opportunity to master his enemies ) ...
... evil , espe- cially sexual evil has been a central concern , nearly foiled by Caliban's attempted rape . Now that the outside world must again be confronted ( Prospero cannot neglect this providential opportunity to master his enemies ) ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words