Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 80
... death of each day's life ' that daily death of Time which makes Time human . The murder of a sleeping guest , the murder of a sleeping king , the murder of a saintly old man , the murder , as it were , of sleep itself , carries with it ...
... death of each day's life ' that daily death of Time which makes Time human . The murder of a sleeping guest , the murder of a sleeping king , the murder of a saintly old man , the murder , as it were , of sleep itself , carries with it ...
Seite 96
... death . Perhaps it is something he can say now , say for himself , now that she is dead- that human life does not , any more than a human player , signify its course for and beyond itself ; it is instead the scene or medium in which ...
... death . Perhaps it is something he can say now , say for himself , now that she is dead- that human life does not , any more than a human player , signify its course for and beyond itself ; it is instead the scene or medium in which ...
Seite 151
... death : whatever the precise meaning of " She should have died hereafter , " we cannot accuse him of bovarysme , of endeavouring to escape reality . Unlike the other tragic heroes , who had reacted so powerfully to the deaths of Portia ...
... death : whatever the precise meaning of " She should have died hereafter , " we cannot accuse him of bovarysme , of endeavouring to escape reality . Unlike the other tragic heroes , who had reacted so powerfully to the deaths of Portia ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words