Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 147
... audience response . As an audience watches a play it " responds " from the first word to the last , and an experienced dramatist knows this and leaves as little as possible to chance : he adjusts his plotting , and much else besides ...
... audience response . As an audience watches a play it " responds " from the first word to the last , and an experienced dramatist knows this and leaves as little as possible to chance : he adjusts his plotting , and much else besides ...
Seite 150
... audience ; the second , in IV . i , has the opposite effect , making him unimportant , a point obliquely enforced by his frustrated rage . The play's perspective continues to work against him in the next two scenes ( IV . ii , iii ) ...
... audience ; the second , in IV . i , has the opposite effect , making him unimportant , a point obliquely enforced by his frustrated rage . The play's perspective continues to work against him in the next two scenes ( IV . ii , iii ) ...
Seite 216
... audience , the result of an active cooperation . The audience is implicated in the play in at least two senses , for not only is the play , as we say rather loosely , " about " experience , that is , it comments upon how we live and ...
... audience , the result of an active cooperation . The audience is implicated in the play in at least two senses , for not only is the play , as we say rather loosely , " about " experience , that is , it comments upon how we live and ...
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Häufige Begriffe und Wortgruppen
action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words