Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 124
... Lady Macbeth herself breaks the bond with her husband by suggesting both his metaphysical and physical impo- tence ( he is not ' a man ' ( I.vii.49 ) ) because he is unworthy of the respect due to a patriarch , because he is ' a coward ...
... Lady Macbeth herself breaks the bond with her husband by suggesting both his metaphysical and physical impo- tence ( he is not ' a man ' ( I.vii.49 ) ) because he is unworthy of the respect due to a patriarch , because he is ' a coward ...
Seite 148
... Macbeth and Lady Mac- beth , and Shakespeare artfully withholds the answers . As the play progresses we learn that Banquo thinks them " the instruments of darkness " ( I. iii . 124 ) , and that they acknowledge spirits as their ...
... Macbeth and Lady Mac- beth , and Shakespeare artfully withholds the answers . As the play progresses we learn that Banquo thinks them " the instruments of darkness " ( I. iii . 124 ) , and that they acknowledge spirits as their ...
Seite 172
... Lady Macbeth has brought to their life a di- rectness , a practicality , an inability to see difficulties in a good cause . Only , she can't see difficulties in a bad cause , either . But screw your courage to the sticking place ' / And ...
... Lady Macbeth has brought to their life a di- rectness , a practicality , an inability to see difficulties in a good cause . Only , she can't see difficulties in a bad cause , either . But screw your courage to the sticking place ' / And ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words