Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 213
... Helena at the outset , in love with Demetrius , who scorns her in favor of Hermia , wishes she could change into Hermia in order to possess whatever mysterious and unspecifiable attractions the latter possesses : Sickness is catching ...
... Helena at the outset , in love with Demetrius , who scorns her in favor of Hermia , wishes she could change into Hermia in order to possess whatever mysterious and unspecifiable attractions the latter possesses : Sickness is catching ...
Seite 273
... Helena , a dependence on swiftness of foot , they come to possess more individuality , not less . By contrast with her friend Hermia , Helena is at the be- ginning of A Midsummer Night's Dream the object of no man's desire , although at ...
... Helena , a dependence on swiftness of foot , they come to possess more individuality , not less . By contrast with her friend Hermia , Helena is at the be- ginning of A Midsummer Night's Dream the object of no man's desire , although at ...
Seite 275
... Helena's words attempt to nullify the menace of the moment by subordinating it to a verbal convention . And this she does , of course , without admitting that part of herself has willed the menace - Demetrius ' sexual de- sire ...
... Helena's words attempt to nullify the menace of the moment by subordinating it to a verbal convention . And this she does , of course , without admitting that part of herself has willed the menace - Demetrius ' sexual de- sire ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words