Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 178
... Demetrius has made her the underdog . Ready to chase after Demetrius , she is too proud to beg for love and is inclined rather to accuse and scold him . She may be jeal- ous of Hermia , who now has Demetrius's love , but she does not ...
... Demetrius has made her the underdog . Ready to chase after Demetrius , she is too proud to beg for love and is inclined rather to accuse and scold him . She may be jeal- ous of Hermia , who now has Demetrius's love , but she does not ...
Seite 273
... Demetrius ' ; and at the end Demetrius alone continues to desire her . Through all these metamorphoses of male temperament Helena remains constant in her love for Demetrius ; and yet when her desire becomes most apparent to her , and ...
... Demetrius ' ; and at the end Demetrius alone continues to desire her . Through all these metamorphoses of male temperament Helena remains constant in her love for Demetrius ; and yet when her desire becomes most apparent to her , and ...
Seite 275
... Demetrius ' gratification ( it is worth noting that never in this scene does he call her by name ) equals a claim to remain her distinct and unique self as individuated as Demetrius ( whom she twice ad- dresses by name in the scene ) ...
... Demetrius ' gratification ( it is worth noting that never in this scene does he call her by name ) equals a claim to remain her distinct and unique self as individuated as Demetrius ( whom she twice ad- dresses by name in the scene ) ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words