Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 278
... Caliban are clearly drawn , yet Prospero fails to recognize them . In an introduction to the play , Stephen Orgel ( 1987 ) has demonstrated that Prospero's attitude towards Caliban represents his conflicting identity as a ruler ...
... Caliban are clearly drawn , yet Prospero fails to recognize them . In an introduction to the play , Stephen Orgel ( 1987 ) has demonstrated that Prospero's attitude towards Caliban represents his conflicting identity as a ruler ...
Seite 282
... Caliban speaks through- out the play in blank verse : he is aware of beauty , wheth- er in Miranda or in the fair features of the island or in music or his dreams . " But these awarenesses lead only to frustration . And since he is only ...
... Caliban speaks through- out the play in blank verse : he is aware of beauty , wheth- er in Miranda or in the fair features of the island or in music or his dreams . " But these awarenesses lead only to frustration . And since he is only ...
Seite 396
... Caliban , and all that Caliban represents , from himself ( ' This thing of darkness I acknowledge mine . ' ) . Kermode is surely right to argue that in the play Shakespeare brings into conflict nature and art , and we should no doubt ...
... Caliban , and all that Caliban represents , from himself ( ' This thing of darkness I acknowledge mine . ' ) . Kermode is surely right to argue that in the play Shakespeare brings into conflict nature and art , and we should no doubt ...
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action actors Aeneas Aeneid Alonso Antonio appear Ariel audience Banquo become believe Caliban called Ceres character comedy critics death deed Demetrius demons described desire devil Dido dramatic Duncan effect Egeus Elizabethan England English essay date evil eyes fact fairies father fear feel Ferdinand figure ghost give Gonzalo hand Helena Hermia Hippolyta human imagination island kind King Lady Macbeth lines lovers Lysander Macduff magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature neoplatonic never Oberon occult Ovid Paracelsus peare's performance perhaps play play's plot Prospero Puck Queen question Renaissance role romance scene Sebastian seems sense sexual Shakes Shakespeare sleep speak speech spirits stage story suggests supernatural Sycorax symbolic Tempest theatrical thee Theseus things thou thought tion Titania tradition tragedy tragic vision Weird Sisters wife witchcraft witches woman women words