Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 89
... shows the rise of the house of York . In the battle that follows , Warwick , George , and Edward fall exhausted , as did York in the first cycle ; but this time Richard rouses them to victory . Act III shows the triumph of the house of ...
... shows the rise of the house of York . In the battle that follows , Warwick , George , and Edward fall exhausted , as did York in the first cycle ; but this time Richard rouses them to victory . Act III shows the triumph of the house of ...
Seite 269
... shows ; and this scene also , in another way , foretells the end . The last act , then , merely presents the literal facts , the windup of the plot , long felt as inevitable in principle . The fifth act of Macbeth shows the expected ...
... shows ; and this scene also , in another way , foretells the end . The last act , then , merely presents the literal facts , the windup of the plot , long felt as inevitable in principle . The fifth act of Macbeth shows the expected ...
Seite 594
... shows so clearly that all action deforms the conception it seeks to embody . The play , by asserting the nullity of action , forces attention towards the degree of validity of the conceptions by which action is inspired . It shows that ...
... shows so clearly that all action deforms the conception it seeks to embody . The play , by asserting the nullity of action , forces attention towards the degree of validity of the conceptions by which action is inspired . It shows that ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's