Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 16
... reference to Shakespeare has been interpreted variously in the almost four centuries since its pub- lication , and it has been used frequently by scholars in their attempts to fix the date and authorship of the Henry VI trilogy . Some ...
... reference to Shakespeare has been interpreted variously in the almost four centuries since its pub- lication , and it has been used frequently by scholars in their attempts to fix the date and authorship of the Henry VI trilogy . Some ...
Seite 297
... reference to time : Away , and mock the time with fairest show : False face must hide what the false heart doth know . [ I. vii . 81-2 ] The next scene begins sharply with a specific reference to chronological time : BAN . How goest the ...
... reference to time : Away , and mock the time with fairest show : False face must hide what the false heart doth know . [ I. vii . 81-2 ] The next scene begins sharply with a specific reference to chronological time : BAN . How goest the ...
Seite 356
... reference to the play is in Francis Mere's Palladis Tamia ( 1598 ) , although this does not indicate a date of composition , it does demonstrate that the drama was in public performance by this time . Scholars attempting to establish ...
... reference to the play is in Francis Mere's Palladis Tamia ( 1598 ) , although this does not indicate a date of composition , it does demonstrate that the drama was in public performance by this time . Scholars attempting to establish ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's