Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 72
... images or groups of images in their context of the passages , speech or play in which they occur . " This approach was quite different from that of the other leading image - pattern analyst , Caroline F. E. Spurgeon , whose work was ...
... images or groups of images in their context of the passages , speech or play in which they occur . " This approach was quite different from that of the other leading image - pattern analyst , Caroline F. E. Spurgeon , whose work was ...
Seite 132
... images , but he is not . One might expect Henry VI to be surrounded by a dominant image pattern , but he is not . With the exception of Joan , the characters seldom use or are surrounded by language that is peculiarly theirs . Instead ...
... images , but he is not . One might expect Henry VI to be surrounded by a dominant image pattern , but he is not . With the exception of Joan , the characters seldom use or are surrounded by language that is peculiarly theirs . Instead ...
Seite 135
... images of Part II , and the storm images of Part III develop a pattern of degeneration which needs exploration , but what may first strike us from this vantage point is the presence of a non- developing pattern not yet remarked upon ...
... images of Part II , and the storm images of Part III develop a pattern of degeneration which needs exploration , but what may first strike us from this vantage point is the presence of a non- developing pattern not yet remarked upon ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's