Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 89
... final victory , " a bloody supper " [ V. v . 85 ] that Richard enoys before he takes part in the final festivities . Yet these two events frame the entire action . The play opens with the murder of York's son , followed by the father's ...
... final victory , " a bloody supper " [ V. v . 85 ] that Richard enoys before he takes part in the final festivities . Yet these two events frame the entire action . The play opens with the murder of York's son , followed by the father's ...
Seite 122
... final act can be taken as further commentary on the failure of a courtly aristocracy to provide an adequate image of feudal service and chivalry . Criticism of I Henry VI has understandably tended to treat Margaret and Suffolk as an end ...
... final act can be taken as further commentary on the failure of a courtly aristocracy to provide an adequate image of feudal service and chivalry . Criticism of I Henry VI has understandably tended to treat Margaret and Suffolk as an end ...
Seite 244
... final effect . It is no use saying that we are " quietened , " " purged " or " exalted " at the end of Macbeth or of any other tragedy . It is no use taking one step nearer the play and saying we are purged , etc. , because we see the ...
... final effect . It is no use saying that we are " quietened , " " purged " or " exalted " at the end of Macbeth or of any other tragedy . It is no use taking one step nearer the play and saying we are purged , etc. , because we see the ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's