Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 118
... figure who dies in prison after wishing prosperity to York . He has a dramatic function of some importance . From him the Yorkist cause derives its decisive initial impulse , when Mortimer de- scribes in detail how he and his ...
... figure who dies in prison after wishing prosperity to York . He has a dramatic function of some importance . From him the Yorkist cause derives its decisive initial impulse , when Mortimer de- scribes in detail how he and his ...
Seite 155
... figure . Ancillary to the action in Part I and strikingly ambivalent in Part II , Henry is emotionally the central figure in Part III . In Part I he as a character is virtually an irrelevancy . . . .. His role in Part II , on the other ...
... figure . Ancillary to the action in Part I and strikingly ambivalent in Part II , Henry is emotionally the central figure in Part III . In Part I he as a character is virtually an irrelevancy . . . .. His role in Part II , on the other ...
Seite 156
... figure has succumbed to error , in part at least because of his own pride , a figure who by the end of the play has recognized his flaw and achieved a kind of an anagnorisis which bespeaks both the destructive waste and the moral ...
... figure has succumbed to error , in part at least because of his own pride , a figure who by the end of the play has recognized his flaw and achieved a kind of an anagnorisis which bespeaks both the destructive waste and the moral ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's