Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
Im Buch
Ergebnisse 1-3 von 80
Seite 205
... effect in " Here's the smell of blood still " [ V. i . 50 ] ; which has been aptly noted as the only instance in modern times where the sense of smell has been successfully employed in high tragic expression . An awful mystery , too ...
... effect in " Here's the smell of blood still " [ V. i . 50 ] ; which has been aptly noted as the only instance in modern times where the sense of smell has been successfully employed in high tragic expression . An awful mystery , too ...
Seite 215
... effect , to excite supernatural alarm and , even more , a dread of the presence of evil not only in its recognised seat but all through and around our mysterious na- ture . Perhaps there is no other work equal to Macbeth in the ...
... effect , to excite supernatural alarm and , even more , a dread of the presence of evil not only in its recognised seat but all through and around our mysterious na- ture . Perhaps there is no other work equal to Macbeth in the ...
Seite 258
... effect produced in a line by p's ending a word , and by p's beginning a word , is completely different . A p beginning a word does not nec- essarily thicken the line . Sometimes the particular placing of the assonances produces a sound ...
... effect produced in a line by p's ending a word , and by p's beginning a word , is completely different . A p beginning a word does not nec- essarily thicken the line . Sometimes the particular placing of the assonances produces a sound ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's