Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 162
... Shakespeare , Vol . III , edited by Geoffrey Bullough , pp . 23-41 , 89-100 , 157-71 . London : Routledge and Kegan Paul , 1960 . " " Discussion of Shakespeare's sources and his use of them in the Henry VI trilogy . Bullough specifies ...
... Shakespeare , Vol . III , edited by Geoffrey Bullough , pp . 23-41 , 89-100 , 157-71 . London : Routledge and Kegan Paul , 1960 . " " Discussion of Shakespeare's sources and his use of them in the Henry VI trilogy . Bullough specifies ...
Seite 163
... Shakespeare and Morality . New York : Macmillan Co. , 1947 , 238 p . Discussion of Shakespeare's plays from the perspective of the dramatist's first audience . Harbage contends that Holinshed's be- lief in the rectitude of English rule ...
... Shakespeare and Morality . New York : Macmillan Co. , 1947 , 238 p . Discussion of Shakespeare's plays from the perspective of the dramatist's first audience . Harbage contends that Holinshed's be- lief in the rectitude of English rule ...
Seite 164
... Shakespeare harbored " the passive dependant man's fear that he will be killed or driven mad . " Ricks , Don M. Shakespeare's Emergent Form . Utah State University Monograph Series XV , no . 1. Logan : Utah State University Press , June ...
... Shakespeare harbored " the passive dependant man's fear that he will be killed or driven mad . " Ricks , Don M. Shakespeare's Emergent Form . Utah State University Monograph Series XV , no . 1. Logan : Utah State University Press , June ...
Inhalt
Preface | 7 |
Henry VI Parts 1 2 and 3 11 | 163 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested supernatural symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's