It cannot be some villains of my court 1 Lord. I cannot hear of any that did see her. The ladies, her attendants of her chamber, Saw her a-bed; and, in the morning early, They found the bed untreasured of their mistress. 2 Lord. My lord, the roinish* clown, at whom so oft Your grace was wont to laugh, is also missing. Why would you be so fond? to overcome Orl. Why, what's the matter? Adam. O unhappy youth, Come not within these doors; within this roof He will have other means to cut you off: [me go? Orl. Why, whither, Adam, would'st thou have Or, with a base and boist❜rous sword, enforce The thrifty hire I sav'd under your father, All this I give you. Let me be your servant; Adam. Master, go on; and I will follow thee, SCENE IV.-The Forest of Arden. Enter ROSALIND in boy's clothes, CELIA dressed like a Shepherdess, and TOUCHSTONE. Ros. O Jupiter! how weary are my spirits! Touch. I care not for my spirits, if my legs were not weary. Ros. I could find in my heart to disgrace my man's apparel, and to cry like a woman: but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat: therefore, courage, good Aliena! [further. Cel. I pray you, bear with me; I can go no Touch. For my part, I had rather bear with you, than bear you: yet I should bear no cross," if I did bear you; for, I think, you have no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now am I in Arden: the more fool I when I was at home, I was in a better place; but travellers must be content. Ros. Ay, be so, good Touchstone:-Look you, who comes here? a young man, and an old, in solemn talk. Enter CORIN and SILVIUS. Cor. That is the way to make her scorn you still. [her! Sil. O Corin, that thou knew'st how I do love Cor. I partly guess; for I have lov'd ere now. Sil. No, Corin, being old, thou canst not guess; Though in thy youth thou wast as true a lover As ever sigh'd upon a midnight pillow: But if thy love were ever like to mine, (As sure I think did never man love so,) How many actions most ridiculous Hast thou been drawn to by thy fantasy? Cor. Into a thousand that I have forgotten. Sil. O, thou didst then never love so heartily: If thou remember'st not the slightest folly That ever love did make thee run into, Thou hast not lov'd: Or if thou hast not sat as I do now, || Blood turned from its natural course. Ros. Alas, poor shepherd! searching of thy wound, I have by hard adventure found mine own. Touch. And I mine: We, that are true lovers, run into strange capers; but as all is mortal in nature, so is all nature in love mortal in folly. Ros. Thou speak'st wiser than thou art 'ware of. Touch. Nay, I shall ne'er be 'ware of mine own wit, till I break my shins against it. Ros. Jove Jove! this shepherd's passion Is much upon my fashion. [stale with me. Touch. And mine; but it grows something Cel. I pray you, one of you question yond man If he for gold will give us any food; I faint almost to death. Touch. Holloa; you clown! Ros. Peace, foo; he's not thy kinsman. Cor. Who calls? Touch. Your betters, sir. Cor. Else are they very wretched. Ros. Peace, I say :-Good even to you, friend. Cor. And to you, gentle sir, and to you all. Ros. I pr'ythee, shepherd, if that love, or gold, Can in this desert place buy entertainment, Bring us where we may rest ourselves, and feed: Here's a young maid with travel much oppress'd, And faints for succour. And wish for her sake, more than for mine own, My fortunes were more able to relieve her: But I am shepherd to another man, And do not shear the fleeces that I graze; And little recks to find the way to heaven Besides, his cote, his flocks, and bounds of feed, Ros. I pray thee, if it stand with honesty, Cor. Assuredly, the thing is to be sold: And buy it with your gold right suddenly. [Exeunt. Jaq. More, more! I pr'ythee, more. [Jaques. Ami. It will make you melancholy, Monsieur Jaq. I thank it. More! I pr'ythee more. I can suck melancholy out of a song, as a weazel sucks eggs. More! I pr'ythee, more! [please you. Ami. My voice is ragged;+ I know I cannot Jaq. I do not desire you to please me; I do desire you to sing. Come, more; another stanza; Call you 'em stanzas? Ami. What you will, Monsieur Jaques. Jaq. Nay, I care not for their names; they owe Ime nothing. Will you sing? [myself. Ami. More at your request than to please Jaq. Well then, if ever I thank any man, I'll thank you: but that they call compliment is like the encounter of two dog-apes; and when a man thanks me heartily, methinks I have given him a penny, and he renders me the beggarly thanks. Come, sing; and you that will not, hold your tongues. Ami. Well, I'll end the song.-Sirs, cover the while; the duke will drink under this tree :-he hath been all this day to look you. Jaq. And I have been all this day to avoid him. He is too disputable ‡ for my company: I think of as many matters as he; but I give Heaven thanks, and make no boast of them. Come, warble; come. Song. Who doth ambition shun, [All together here. Seeking the food he eats, And pleas'd with what he gets, Come hither, come hither, come hither; Jaq. Thus it goes: If it do come to pass, That any man turn ass, Gross fools as he, An if he will come to me. Ami. What's that ducdamé? Jaq. 'Tis a Greek invocation, to call fools into a circle. I'll go sleep if I can; if I cannot, I'll rail against all the first-born of Egypt. Ami. And I'll go seek the duke; his banquet is prepar'd. [Exeunt severally. SCENE VI.-The same. Enter ORLANDO and ADAM. Adam. Dear master, I can go no further. O, I die for food! Here lie I down, and measure out my grave. Farewell, kind master! Orl. Why, how now, Adam! no greater heart in thee? Live a little; comfort a little; cheer thyself a little. If this uncouth forest yield any thing savage, 1 will either be food for it, or bring it for food to thee. Thy conceit is nearer death than thy powers. For my sake, be comfortable; hold death awhile at the arm's end. I will here be with thee presently; and if I bring thee not something to eat, I wili give thee leave to die but if thou diest before I come, thou art a mocker of my labour. Well said! thou look'st cheerly and I'll be with thee quickly. Yet thou liest in the bleak air: Come, I will bear thee to some shelter; and thou shalt not die for lack of a dinner, if there live any thing in this | To speak my mind, and I will through an desert. Cheerly, good Adam! SCENE VII.-The same. [Exeunt. A table set out. Enter DUKE senior, AMIENS, Duke S. I think he be transform'd into a beast; 1 Lord. My lord, he is but even now gone hence; Here was he merry, hearing of a song. Duke S. If he, compact of jars, grows musical, We shall have shortly discord in the spheres :Go, seek him; tell him I would speak with him. Enter JAQUES. 1 Lord. He saves my labour by his own ap- Jaq. A fool, a fool! I met a fool i' the forest, A worthy fool! Motley's the only wear.+ [courtier, Which is as dry as the remainder biscuit After a voyage, he hath strange places cramm'd It is my only suit: In mangled forms:-0, that I were a fool! To blow on whom I please: for so fools have: The why is plain as way to parish church: The wise man's folly is anatomiz'd Even by the squandering glances of the fool. * Made up of discords. through Cleanse the foul body of th' infected world Jaq. What, for a counter, would I do but good? For thou thyself hast been a libertine. Jaq. Why, who cries out on pride, That says, his bravery is not on my cost, distress; Or else a rude despiser of good manners, [point Orl. You touch'd my vein at first; the thorny Jaq. An you will not be answer'd with reason, Duke S. What would you have? Your gentleness shall force, More than your force move us to gentleness. Orl. I almost die for food, and let me have it. Duke S. Sit down and feed, and welcome to our table. [you: Orl. Speak you so gently? Pardon me, I pray Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; The fool was anciently dressed in a party- Whiles, like a doe, I go to find my fawn, coloured coat. + Finery. Who after me hath many a weary step Go, find him out, Duke S. And we will nothing waste till you return. Orl. I thank ye: and be bless'd for your good comfort! [Exit. Duke S. Thou seest, we are not all alone unhappy: This wide and universal theatre Presents more woeful pageants than the scene Wherein we play in. Jaq. All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts,His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms: Then the whining schoolboy, with his satchel, And shining morning face, creeping like snail Unwillingly to school: and then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow: Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden, and quick in quarrel, Seeking the bubble Reputation [tice, Even in the cannon's mouth: and then the jusIn fair round belly, with good capon lin❜d, With eyes severe, and beard of formal cut, Full of wise saws, and modern instances,And so he plays his part: The sixth age shifts Into the lean and slipper'd pantaloon; With spectacles on nose, and pouch on side; His youthful hose weli sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound: Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste, sans-every thing. Re-enter ORLANDO, with ADAM. Duke S. Welcome; Set down your venerable burthen, Though thou the waters warp, As friend remember'd + not. Heigh ho! sing, heigh ho! &c. Duke S. If that you were the good Sir Rowland's son, As you have whisper'd faithfully you were; Go to my cave and tell me.-Good old man, Act Third. [Exeunt. SCENE I.-A Room in the Palace. Enter DUKE FREDERICK, OLIVER, Lords, and Attendants. Duke F. Nor see him since? Sir, sir, that cannot be : But were I not the better part made mercy, Thy lands, and all things that thou dost call thine, Oli. O, that your highness knew my heart in And let my officers of such a nature SCENE II.-The Forest. Enter ORLANDO, with a paper. [Exeunt. Enter CORIN and TOUCHSTONE. Cor. And how like you this shepherd's life, Master Touchstone? Touch. Truly, shepherd, in respect of itself, it is a good life; but in respect that it is a shepherd's life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now, in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As it is a spare life, look you, it fits my humour well; but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd? |