Her Husband was a Woman!: Women's Gender-crossing in Modern British Popular CultureRoutledge, 2007 - 192 Seiten Tracking the changing representation of female gender-crossing in the press, this text breaks new ground to reveal findings where both desire between women and cross-gender identification are understood. Her Husband was a Woman! exposes real-life case studies from the British tabloids of women who successfully passed as men in everyday life, perhaps marrying other women or fighting for their country. Oram revises assumptions about the history of modern gender and sexual identities, especially lesbianism and transsexuality. This book provides a fascinating resource for researchers and students, grounding the concepts of gender performativity, lesbian and queer identities in a broadly-based survey of the historical evidence. |
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... genre is the open - ended nature of the narrative . Right through to the end of the story , Ellen Capon continued to assert her right to , capacity for and orientation towards masculine employment . Like other cross- dressers she ...
... genre . As a sensational , exceptional story , women's cross - dressing was part of the human- interest formula , together with crime and disaster , which , as the Colonel Barker trial demonstrated , sold newspapers . Maintained in ...
... genre lost its force during the twentieth century due to the commercial development of variety , but there is a very limited amount of research on this period and the fate of older forms as more polished productions became commercially ...
Inhalt
masculinity gender relations and | 17 |
the gendercrossing woman | 40 |
Gendercrossing and modern sexualities 192839 | 63 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Her Husband was a Woman!: Women's Gender-crossing in Modern British Popular ... Alison Oram Eingeschränkte Leseprobe - 2007 |
Her Husband was a Woman!: Women's Gender-Crossing in Modern British Popular ... Alison Oram Eingeschränkte Leseprobe - 2013 |