Re-citing Marlowe: Approaches to the DramaAshgate, 2000 - 224 Seiten Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature. |
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Seite 40
Approaches to the Drama Clare Harraway. Mephistopheles's suggestion , and turns once more to that which has already ... suggests that inscription is unable to prevent its own erasure . As the bloody words mark , unmark and re - mark his ...
Approaches to the Drama Clare Harraway. Mephistopheles's suggestion , and turns once more to that which has already ... suggests that inscription is unable to prevent its own erasure . As the bloody words mark , unmark and re - mark his ...
Seite 141
... suggest that the leaf ' perhaps formed part of a copy belonging to the theatre at the time it was first acted ' and might even be " in the original hand - writing of Marlow ' . Reprinting the leaf less than ten years later in his ...
... suggest that the leaf ' perhaps formed part of a copy belonging to the theatre at the time it was first acted ' and might even be " in the original hand - writing of Marlow ' . Reprinting the leaf less than ten years later in his ...
Seite 207
... suggest , is equally relevant to a critical text like this one . However , after her disclaimer , Rosalind proceeds to compose an epilogue , and I will follow her example , while also remembering that ' brevity is the soul of wit ...
... suggest , is equally relevant to a critical text like this one . However , after her disclaimer , Rosalind proceeds to compose an epilogue , and I will follow her example , while also remembering that ' brevity is the soul of wit ...
Inhalt
Words Are What Remain | 1 |
Reading and Writing | 20 |
Underwriting History | 51 |
Urheberrecht | |
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A. L. Rowse actually Admiral Coligny Aeneas Aeneas's Aeneid argues artistic audience B-text Bakeless Barabas Barabas's Bevington Calyphas canon Carthage's character Christopher Marlowe claims classical consequently create dead death deconstruction Derrida describes Dido Doctor Faustus drama dramatist edition Edward Edward II Elizabethan English explains father Faustus's Gaveston genre Gill Greenblatt Guise Henry's identity imitation initial inscription interpretation Jew of Malta king king's language literary London maintains Marlovian Marlovian criticism Marlovian scholarship Marlowe's play Massacre at Paris meaning Mephistopheles Mortimer Mortimer's murder narrative nature notes notion original originary paradoxically Pembroke's Men play's plays of Doctor political printing prologue Queene of Carthage reading refuses Renaissance renders repeated repetition reveals scene scholar sequel sexual Shakespeare Simon Shepherd stage Steane stereotype structure Tamburlaine plays textual theatre theatrical theories thou tragedy transformation translation Troy speech ultimately University Press Virgil's words writing
Verweise auf dieses Buch
Traffic and Turning: Islam and English Drama, 1579-1624 Jonathan Burton Eingeschränkte Leseprobe - 2005 |