of being, rather than of pain to leave it; and leaning back his head, expired.' When the heroine, who sat at a distance, saw his last instant come, she threw herself at his feet, and kneeling, pressed his hand to her lips; in which posture she continued under the agony of an unutterable sorrow, till conducted from our sight by her attendants. That com manding awe, which accompanies the grief of great minds, restrained the multitude while in her presence; but as soon as she retired, they gave way to their distraction, and all the islanders called upon their deceased hero. To him, methought, they cried out, as to a guardian being, and I gathered from their broken accents, that it was he who had the empire over the ocean and its powers, by which he had long protected the island from shipwreck and invasion. They now give a loose to their moan, and think themselves exposed without hopes of human or divine assistance. While the people ran wild, and expressed all the different forms of lamentation, methought a sable cloud overshadowed the whole land, and covered its inhabitants with darkness: no glimpse of light appeared, except one ray from heaven upon the place in which the heroine now secluded herself from the world, with her eyes fixed on those abodes to which her consort was ascended. Methought, a long period of time had passed away in mourning and in darkness, when a twilight began by degrees to enlighten the hemisphere; and looking round me, I saw a boat rowed towards the shore, in which 1 Prince George of Denmark, the consort of Queen Anne, died on October 21, 1708, after a few days' illness. This dream gives a picture of the state of England from his death until the conclusion of the negotiations at the Hague in 1709. 2 The mourning of Queen Anne was so long that the manufacturers remonstrated, and secured a limit to the duration of public mournings. sat a personage adorned with warlike trophies, bearing on his left arm a shield, on which was engraven the image of Victory, and in his right hand a branch of olive. His visage was at once so winning and so awful, that the shield and the olive seemed equally suitable to his genius. When this illustrious person' touched on the shore, he was received by the acclamations of the people, and followed to the palace of the heroine. No pleasure in the glory of her arms, or the acclamations of her applauding subjects, were ever capable to suspend her sorrow for one moment, until she saw the olive branch in the hand of that auspicious messenger. At that sight, as Heaven bestows its blessings on the wants and importunities of mortals, out of its native bounty, and not to increase its own power, or honour, in compassion to the world, the celestial mourner was then first seen to turn her regard to things below; and taking the branch out of the warrior's hand, looked at it with much satisfaction, and spoke of the blessings of peace, with a voice and accent, such as that in which guardian spirits whisper to dying penitents assurances of happiness. The air was hushed, the multitude attentive, and all nature in a pause, while she was speaking. But as soon as the messenger of peace had made some low reply, in which, methought, I heard the word Iberia, the heroine assuming a more severe air, but such as spoke resolution, without rage, returned him the olive, and again veiled her face. Loud cries and clashing of arms immediately followed, which forced me from my charming vision, and drove me back to these mansions of care and sorrow." 1 About this time the D[uke]. of M[arlborough]. returned from Holland with the preliminaries of a peace.-(Steele.) 2 "Mr. Bickerstaff thanks Mr. Quarterstaff for his kind and instructive letter dated the 26th instant" (folio). [STEELE. No. 9. From Thursday, April 28, to Saturday, April 30, 1709. Τ Will's Coffee-house, April 28. his evening we were entertained with "The Old Bachelor, a comedy of deserved reputation. In the character which gives name to the play, there is excellently represented the reluctance of a battered debauchee to come into the trammels of order and decency: he neither languishes nor burns, but frets for love. The gentlemen of more regular behaviour are drawn with much spirit and wit, and the drama introduced by the dialogue of the first scene with uncommon, yet natural conversation. The part of Fondlewife is a lively image of the unseasonable fondness of age and impotence. But instead of such agreeable works as these, the town has this half age been tormented with insects called "easy writers," whose abilities Mr. Wycherley one day described excellently well in one word: "That," said he, "among these fellows is called easy writing, which any one may easily write." Such jaunty scribblers are so justly laughed at for their sonnets on Phillis and Chloris, and fantastical descriptions in them, that an ingenious kinsman of mine, of the family of the Staffs, Mr. Humphrey Wagstaff by name, has, to avoid their strain, run into a way perfectly new, and described things exactly as they happen he never forms fields, or nymphs, or groves, where they are not, but makes the incidents just as they 1 Congreve's first play, produced in 1693. See also No. 193. This piece is attacked in Jeremy Collier's "Short View of the Profaneness and Immorality of the English Stage," 1698. * Swift. VOL. I. really appear. For an example of it; I stole out of his manuscript the following lines: they are a Description of the Morning, but of the morning in town; nay, of the morning at this end of the town, where my kinsman at present lodges. Now hardly here and there an hackney coach And Brickdust Moll had screamed through half a street ; The watchful bailiffs take their silent stands ; All that I apprehend is, that dear Numps will be angry I have published these lines; not that he has any reason to be ashamed of them, but for fear of those rogues, the bane to all excellent performances, the imitators. Therefore, beforehand, I bar all descriptions of the evenings; as, a medley of verses signifying, grey-peas are now cried warm: that wenches now begin to amble round the passages of the playhouse: or of noon; as, that fine ladies and great beaux are just yawning out of their beds and windows in Pall Mall, and so forth. I forewarn also all 1 2 persons from encouraging any draughts after my cousin ; and foretell any man who shall go about to imitate him, that he will be very insipid. The family stock is embarked in this design, and we will not admit of counterfeits: Dr. Anderson and his heirs enjoy his pills, Sir William Read has the cure of eyes, and Monsieur Rozelli3 can only cure the gout. We pretend to none of these things; but to examine who and who are together, to tell any mistaken man he is not what he believes he is, to distinguish merit, and expose false pretences to it, is a liberty our family has by law in them, from an intermarriage with a daughter of Mr. Scoggan, the famous droll of the last century. This right I design to make use of; but will not encroach upon 4 1 A Scotch physician in the reigns of Charles I. and Charles II. An advertisement of his "famous Scots Pills" requested the public to beware of counterfeits, especially an ignorant pretender, one Muffen, who kept a china-shop. 2 "Henley would fain have me to go with Steele and Rowe, &c., to an invitation at Sir William Read's. Surely you have heard of him. He has been a mountebank, and is the Queen's oculist; he makes admirable punch, and treats you in gold vessels. But I am engaged, and won't go; neither indeed am I fond of the jaunt" (Swift's "Journal," April 11, 1711). Read was knighted in 1705, for services done in curing soldiers and sailors of blindness gratis. Beginning life as a tailor, he became Queen Anne's oculist in ordinary, and died in 1715. See Spectator, No. 547. 3 Rozelli, the inventor of a specific for the gout, died at the Hague. In No. 33 was an advertisement of the "Memoirs of the Life and Adventures of Signior Rozelli, at the Hague, giving a particular account of his birth, education, slavery, monastic state, imprisonment in the Inquisition at Rome, and the different figures he has since made, as well in Italy, as in France and Holland. . . . Done into English from the second edition of the French." This work, like the continuation of 1724, has been wrongly attributed to Defoe. Rozelli advertised in the London Gazette, for July 19, 1709, that the book was entirely fictitious, and a libel upon his character. 4 We learn from Ben Jonson, that Scoggan, or Skogan, was M.A., and lived in the time of Henry IV. "He made disguises for the |