I had not the least doubt, that he found, in his country, many things to please him; nor did I suppose, that he desired the same inversion of every part of life, as of the use of tea. The proposal of drinking tea sour showed, indeed, such a disposition to practical paradoxes, that there was reason to fear, lest some succeeding letter should recommend the dress of the Picts, or the cookery of the Eskimaux. However, I met with no other innovations, and, therefore, was willing to hope, that he found something right at home.

But his love of his country seemed not to rise quite to enthusiasm, when, amidst his rage against tea, he made a smooth apology for the East India company, as men who might not think themselves obliged to be political arithmeticians. I hold, though no enthusiastick patriot, that every man, who lives and trades under the protection of a community, is obliged to consider, whether he hurts or benefits. those who protect him; and that the most which can be indulged to private interest, is a neutral traffick, if any such can be, by which our country is not injured, though it may not be benefited.

But he now renews his declamation against tea, notwithstanding the greatness or power of those that have interest or inclination to support it. I know not of what power or greatness he may dream. The importers only have an interest in defending it. I am sure, they are not great, and, I hope, they are not powerful. Those, whose inclination leads them to continue this practice, are too numerous; but, I believe their power is such, as the journalist may defy, without enthusiasm. The love of our

country, when it rises to enthusiasm, is an ambiguous and uncertain virtue: when a man is enthusiastick, he ceases to be reasonable; and, when he once departs from reason, what will he do, but drink sour tea? As the journalist, though enthusiastically zealous for his country, has, with regard to smaller things, the placid happiness of philosophical indifference, I can give him no disturbance, by advising him to restrain, even the love of his country, within

due limits, lest it should, sometimes, swell too high, fill the whole capacity of his soul, and leave less room for the love of truth.

Nothing now remains, but that I review my positions concerning the foundling hospital. What I declared last month, I declare now, once more, that I found none of the children that appeared to have heard of the catechism. It is inquired, how I wandered, and how I examined. There is, doubtless, subtlety in the question; I know not well how to answer it. Happily, I did not wander alone; I attended some ladies, with another gentleman, who all heard and assisted the inquiry, with equal grief and indignation. I did not conceal my observations. Notice was given of this shameful defect soon after, at my request, to one of the highest names of the society. This, I am now told, is incredible; but, since it is true, and the past is out of human power, the most important corporation cannot make it false. But, why is it incredible? Because, in the rules of the hospital, the children are ordered to learn the rudiments of religion. Orders are easily made, but they do not execute themselves. They say their catechism, at stated times, under an able master. But this able master was, I think, not elected before last February; and my visit happened, if I mistake not, in November. The children were shy, when interrogated by a stranger. This may be true, but the same shiness I do not remember to have hindered them from answering other questions; and I wonder, why children, so much accustomed to new spectators, should be eminently shy.

My opponent, in the first paragraph, calls the inference that I made from this negligence, a hasty conclusion: to the decency of this expression I had nothing to object; but, as he grew hot in his career, his enthusiasm began to sparkle; and, in the vehemence of his postscript, he charges my assertions, and my reasons for advancing them, with folly and malice. His argumentation, being somewhat enthusiastical, I cannot fully comprehend, but

it seems to stand thus: my insinuations are foolish or malicious, since I know not one of the governours of the hospital; for, he that knows not the governours of the hospital, must be very foolish or malicious.

He has, however, so much kindness for me, that he advises me to consult my safety, when I talk of corporations. I know not what the most important corporation can do, becoming manhood, by which my safety is endangered. My reputation is safe, for I can prove the fact; my quiet is safe, for I meant well; and for any other safety, I am not used to be very solicitous.

I am always sorry, when I see any being labouring in vain; and, in return for the journalist's attention to my safety, I will confess some compassion for his tumultuous resentment; since all his invectives fume into the air, with so little effect upon me, that I still esteem him, as one that has the merit of meaning well; and still believe him to be a man, whose failings may be justly pardoned for his

virtues.

REVIEW OF AN ESSAY

ON THE

WRITINGS AND GENIUS OF POPE.

THIS is a very curious and entertaining miscellany of critical remarks and literary history. Though the book promises nothing but observations on the writings of Pope,

And of such a man, it is to be regretted, that Dr. Johnson was, by whatever motive, induced to speak with acrimony; but, it is probable, that he took up the subject, at first, merely to give play to his fancy. This answer, however, to Mr. Hanway's letter, is, as Mr. Boswell has remarked, the only instance, in the whole course of his life, when he condescended to oppose any thing that was written against him. C.

e From the Literary Magazine. 1756.

never knew, his performance, though it might have been a pleasing amusement of fancy, would have exhibited no representation of nature or of life.

After the pastorals, the critick considers the lyrick poetry of Pope, and dwells longest on the ode on St. Cecilia's day, which he, like the rest of mankind, places next to that of Dryden, and not much below it. He remarks, after Mr. Spence, that the first stanza is a perfect concert: the second he thinks a little flat; he justly commends the fourth, but without notice of the best line in that stanza, or in the poem :

Transported demi-gods stood round,

And men grew herces at the sound."

In the latter part of the ode, he objects to the stanza of triumph:

Thus song could prevail," &c.

as written in a measure ridiculous and burlesque, and justifies his answer, by observing, that Addison uses the same numbers in the scene of Rosamond, between Grideline and sir Trusty :

How unhappy is he," &c.

That the measure is the same in both passages, must be confessed, and both poets, perhaps, chose their numbers properly; for they both meant to express a kind of airy hilarity. The two passions of merriment and exultation are, undoubtedly, different; they are as different as a gambol and a triumph, but each is a species of joy; and poetical measures have not, in any language, been so far refined, as to provide for the subdivisions of passion. They can only be adapted to general purposes; but the particular and minuter propriety must be sought only in the sentiment and language. Thus the numbers are the same in Colin's Complaint, and in the ballad of Darby and Joan, though, in one, sadness is represented, and, in the other, tranquillity; so the measure is the same of Pope's Unfortunate Lady, and the Praise of Voiture.

He observes, very justly, that the odes, both of Dryden and Pope, conclude, unsuitably and unnaturally, with epigram.

He then spends a page upon Mr. Handel's musick to Dryden's ode, and speaks of him with that regard which he has generally obtained among the lovers of sound. He finds something amiss in the air" With ravished ears," but has overlooked, or forgotten, the grossest fault in that composition, which is that in this line:

He has laid much stress upon the two latter words, which are merely words of connexion, and ought, in musick, to be considered as parenthetical.

From this ode is struck out a digression on the nature of odes, and the comparative excellence of the ancients and moderns. He mentions the chorus which Pope wrote for the duke of Buckingham; and thence takes occasion to treat of the chorus of the ancients. He then comes to another ode, of "The dying Christian to his Soul;" in which, finding an apparent imitation of Flatman, he falls into a pleasing and learned speculation, on the resembling passages to be found in different poets.

He mentions, with great regard, Pope's ode on Solitude, written when he was but twelve years old, but omits to mention the poem on Silence, composed, I think, as early, with much greater elegance of diction, musick of numbers, extent of observation, and force of thought. If he had happened to think on Baillet's chapter of Enfans célèbres, he might have made, on this occasion, a very entertaining dissertation on early excellence.

He comes next to the Essay on Criticism, the stupendous performance of a youth, not yet twenty years old; and, after having detailed the felicities of condition, to which he imagines Pope to have owed his wonderful prematurity of mind, he tells us, that he is well informed this essay was first written in prose. There is nothing improbable in the report, nothing, indeed, but what is more likely