Theatre: Choice in ActionHarperCollins College Publishers, 1995 - 379 Seiten |
Im Buch
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Seite 103
... usually scheduled at fifteen - minute intervals - not much time in which to demonstrate what one might do with the role . The actor or actress will probably first " read " for a role with someone who is not an actor ( usually the stage ...
... usually scheduled at fifteen - minute intervals - not much time in which to demonstrate what one might do with the role . The actor or actress will probably first " read " for a role with someone who is not an actor ( usually the stage ...
Seite 267
... ( usually through the use of a cue light backstage ) • For an actor to say the next line ( cue lines are usually used in techni- cal rehearsals , not in performance ) • For scenery to be moved up and down or offstage to permit a new set ...
... ( usually through the use of a cue light backstage ) • For an actor to say the next line ( cue lines are usually used in techni- cal rehearsals , not in performance ) • For scenery to be moved up and down or offstage to permit a new set ...
Seite 360
... usually begin only with a situation and basic character relationships , although the improvisation may be loosely tied to plot outlines worked out in rehearsal or previous perfor- mances . Also , a means of developing a character in ...
... usually begin only with a situation and basic character relationships , although the improvisation may be loosely tied to plot outlines worked out in rehearsal or previous perfor- mances . Also , a means of developing a character in ...
Inhalt
Introduction | 1 |
CHOICE AND INTERPRETATION | 9 |
PART 2 | 68 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
actor actress Arkadina audi audience audience's Blanche Blanche's Brack Brecht Broadway character choices collaborative color comedy communicate costume designer create dance dark dialogue drama dress Driving Miss Daisy duction effect Elvsted emotional ESTRAGON Eunice example feel Figure Grotowski Guthrie Theater Hedda Gabler Heidi Chronicles important interpretation Jo Mielziner Joseph Chaikin kind Lady Macbeth lighting designer look Lovborg Masha meaning Mitch move musical Nina nonprofit theatre onstage painted performance space Peter Peter Brook Photo play Playwrights Horizons plot point of view production concept relationship Repertory responsible Robert Edmond Jones role says scene scenery scenic designer Scoop Seagull Shakespeare sketch Sorin stage directions stage manager stage picture Stanislavski Stanley Stella story Streetcar Named Desire Susan takes place tells Tesman Thea theatrical thing tion tragedy Treplev Trigorin Wendy Wasserstein window witches written York
Verweise auf dieses Buch
The Arts in Children's Lives: Context, Culture, and Curriculum Liora Bresler,C.M. Thompson Keine Leseprobe verfügbar - 2002 |
Theatre as a Medium for Children and Young People: Images and Observations Shifra Schonmann Eingeschränkte Leseprobe - 2006 |