Theatre: Choice in ActionHarperCollins College Publishers, 1995 - 379 Seiten |
Im Buch
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Seite 298
... spaces never meant to be theatres at all . Old warehouses , bars , mountaintops - any place appropri- ate for the production is used as a performance space . A site - specific pro- duction is performed in the actual setting for which ...
... spaces never meant to be theatres at all . Old warehouses , bars , mountaintops - any place appropri- ate for the production is used as a performance space . A site - specific pro- duction is performed in the actual setting for which ...
Seite 300
... space : the area from which the actor is visible to the audi- ence during a performance . This area is not a constant , but is determined by the scenery for ... SPACE The fly space : the area above the stage used. 300 Part Three Performance.
... space : the area from which the actor is visible to the audi- ence during a performance . This area is not a constant , but is determined by the scenery for ... SPACE The fly space : the area above the stage used. 300 Part Three Performance.
Seite 363
... space to be changed for each production . stage , proscenium : a performance space separated from the audience by a permanent archway - the proscenium arch - which has the effect of dis- tancing audience members from the action of the ...
... space to be changed for each production . stage , proscenium : a performance space separated from the audience by a permanent archway - the proscenium arch - which has the effect of dis- tancing audience members from the action of the ...
Inhalt
Introduction | 1 |
CHOICE AND INTERPRETATION | 9 |
PART 2 | 68 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor actress Arkadina audi audience audience's Blanche Blanche's Brack Brecht Broadway character choices collaborative color comedy communicate costume designer create dance dark dialogue drama dress Driving Miss Daisy duction effect Elvsted emotional ESTRAGON Eunice example feel Figure Grotowski Guthrie Theater Hedda Gabler Heidi Chronicles important interpretation Jo Mielziner Joseph Chaikin kind Lady Macbeth lighting designer look Lovborg Masha meaning Mitch move musical Nina nonprofit theatre onstage painted performance space Peter Peter Brook Photo play Playwrights Horizons plot point of view production concept relationship Repertory responsible Robert Edmond Jones role says scene scenery scenic designer Scoop Seagull Shakespeare sketch Sorin stage directions stage manager stage picture Stanislavski Stanley Stella story Streetcar Named Desire Susan takes place tells Tesman Thea theatrical thing tion tragedy Treplev Trigorin Wendy Wasserstein window witches written York
Verweise auf dieses Buch
The Arts in Children's Lives: Context, Culture, and Curriculum Liora Bresler,C.M. Thompson Keine Leseprobe verfügbar - 2002 |
Theatre as a Medium for Children and Young People: Images and Observations Shifra Schonmann Eingeschränkte Leseprobe - 2006 |