Theatre: Choice in ActionHarperCollins College Publishers, 1995 - 379 Seiten |
Im Buch
Ergebnisse 1-3 von 33
Seite 86
... role . Auditions are difficult for the director , who may see many actors ( sometimes hundreds ) for a single role , as well as for the ac- tor , who often has to face a complete stranger , receiving little feedback on the quality of ...
... role . Auditions are difficult for the director , who may see many actors ( sometimes hundreds ) for a single role , as well as for the ac- tor , who often has to face a complete stranger , receiving little feedback on the quality of ...
Seite 103
... role . The actor or actress will probably first " read " for a role with someone who is not an actor ( usually the stage manager ) , compounding the diffi- culty of sparking the director's interest . If the play is new , an actor or ac ...
... role . The actor or actress will probably first " read " for a role with someone who is not an actor ( usually the stage manager ) , compounding the diffi- culty of sparking the director's interest . If the play is new , an actor or ac ...
Seite 120
... role from a Brechtian point of view might com- ment on the character by means of a physical movement , such as a ... role of Blanche might show her rage at being confined to a fem- inine role , Heidi might race on a treadmill , Nina ...
... role from a Brechtian point of view might com- ment on the character by means of a physical movement , such as a ... role of Blanche might show her rage at being confined to a fem- inine role , Heidi might race on a treadmill , Nina ...
Inhalt
Introduction | 1 |
CHOICE AND INTERPRETATION | 9 |
PART 2 | 68 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
actor actress Arkadina audi audience audience's Blanche Blanche's Brack Brecht Broadway character choices collaborative color comedy communicate costume designer create dance dark dialogue drama dress Driving Miss Daisy duction effect Elvsted emotional ESTRAGON Eunice example feel Figure Grotowski Guthrie Theater Hedda Gabler Heidi Chronicles important interpretation Jo Mielziner Joseph Chaikin kind Lady Macbeth lighting designer look Lovborg Masha meaning Mitch move musical Nina nonprofit theatre onstage painted performance space Peter Peter Brook Photo play Playwrights Horizons plot point of view production concept relationship Repertory responsible Robert Edmond Jones role says scene scenery scenic designer Scoop Seagull Shakespeare sketch Sorin stage directions stage manager stage picture Stanislavski Stanley Stella story Streetcar Named Desire Susan takes place tells Tesman Thea theatrical thing tion tragedy Treplev Trigorin Wendy Wasserstein window witches written York
Verweise auf dieses Buch
The Arts in Children's Lives: Context, Culture, and Curriculum Liora Bresler,C.M. Thompson Keine Leseprobe verfügbar - 2002 |
Theatre as a Medium for Children and Young People: Images and Observations Shifra Schonmann Eingeschränkte Leseprobe - 2006 |