Theatre: Choice in ActionHarperCollins College Publishers, 1995 - 379 Seiten |
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Seite 21
... plot of the play . A plot is never the whole story - it is only those parts that the play- wright has chosen in order to tell a version of the story to the audience . The act of plotting a play could be compared to mapping out a route ...
... plot of the play . A plot is never the whole story - it is only those parts that the play- wright has chosen in order to tell a version of the story to the audience . The act of plotting a play could be compared to mapping out a route ...
Seite 82
... plot that firmly because a play is about content . It's not about the story . Plot is the hook on which the playwright hangs what interests him . By entirely removing the plot I wanted to treat the play line by line , lit- erally for ...
... plot that firmly because a play is about content . It's not about the story . Plot is the hook on which the playwright hangs what interests him . By entirely removing the plot I wanted to treat the play line by line , lit- erally for ...
Seite 223
... plot ( and sometimes a lighting section ) and creates a channel hookup or dimmer hookup . A document known as an instrument schedule , which organizes the lights by their position in the theatre , is sometimes also used . THE LIGHT PLOT ...
... plot ( and sometimes a lighting section ) and creates a channel hookup or dimmer hookup . A document known as an instrument schedule , which organizes the lights by their position in the theatre , is sometimes also used . THE LIGHT PLOT ...
Inhalt
Introduction | 1 |
CHOICE AND INTERPRETATION | 9 |
PART 2 | 68 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor actress Arkadina audi audience audience's Blanche Blanche's Brack Brecht Broadway character choices collaborative color comedy communicate costume designer create dance dark dialogue drama dress Driving Miss Daisy duction effect Elvsted emotional ESTRAGON Eunice example feel Figure Grotowski Guthrie Theater Hedda Gabler Heidi Chronicles important interpretation Jo Mielziner Joseph Chaikin kind Lady Macbeth lighting designer look Lovborg Masha meaning Mitch move musical Nina nonprofit theatre onstage painted performance space Peter Peter Brook Photo play Playwrights Horizons plot point of view production concept relationship Repertory responsible Robert Edmond Jones role says scene scenery scenic designer Scoop Seagull Shakespeare sketch Sorin stage directions stage manager stage picture Stanislavski Stanley Stella story Streetcar Named Desire Susan takes place tells Tesman Thea theatrical thing tion tragedy Treplev Trigorin Wendy Wasserstein window witches written York
Verweise auf dieses Buch
The Arts in Children's Lives: Context, Culture, and Curriculum Liora Bresler,C.M. Thompson Keine Leseprobe verfügbar - 2002 |
Theatre as a Medium for Children and Young People: Images and Observations Shifra Schonmann Eingeschränkte Leseprobe - 2006 |