Theatre: Choice in ActionHarperCollins College Publishers, 1995 - 379 Seiten |
Im Buch
Ergebnisse 1-3 von 40
Seite 148
... painted by someone else , the designer must provide a set of paint elevations , which are scaled drawings painted exactly as the scenery will appear . Finally , once the scenery and props have been built , painted , and taken from the ...
... painted by someone else , the designer must provide a set of paint elevations , which are scaled drawings painted exactly as the scenery will appear . Finally , once the scenery and props have been built , painted , and taken from the ...
Seite 154
... paint elevation to create a backdrop . In earlier periods , most scenery was painted . Highly skilled scene painters used techniques that made painted scenery look almost three- dimensional . Today's scenic artists practice many of the ...
... paint elevation to create a backdrop . In earlier periods , most scenery was painted . Highly skilled scene painters used techniques that made painted scenery look almost three- dimensional . Today's scenic artists practice many of the ...
Seite 159
... painted to look like the real thing , why not do that ? After all , dimensional scenery doesn't have the practical advantages of painted scenery : it is difficult to move and store offstage , and generally is more ex- pensive than painted ...
... painted to look like the real thing , why not do that ? After all , dimensional scenery doesn't have the practical advantages of painted scenery : it is difficult to move and store offstage , and generally is more ex- pensive than painted ...
Inhalt
Introduction | 1 |
CHOICE AND INTERPRETATION | 9 |
PART 2 | 68 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
actor actress Arkadina audi audience audience's Blanche Blanche's Brack Brecht Broadway character choices collaborative color comedy communicate costume designer create dance dark dialogue drama dress Driving Miss Daisy duction effect Elvsted emotional ESTRAGON Eunice example feel Figure Grotowski Guthrie Theater Hedda Gabler Heidi Chronicles important interpretation Jo Mielziner Joseph Chaikin kind Lady Macbeth lighting designer look Lovborg Masha meaning Mitch move musical Nina nonprofit theatre onstage painted performance space Peter Peter Brook Photo play Playwrights Horizons plot point of view production concept relationship Repertory responsible Robert Edmond Jones role says scene scenery scenic designer Scoop Seagull Shakespeare sketch Sorin stage directions stage manager stage picture Stanislavski Stanley Stella story Streetcar Named Desire Susan takes place tells Tesman Thea theatrical thing tion tragedy Treplev Trigorin Wendy Wasserstein window witches written York
Verweise auf dieses Buch
The Arts in Children's Lives: Context, Culture, and Curriculum Liora Bresler,C.M. Thompson Keine Leseprobe verfügbar - 2002 |
Theatre as a Medium for Children and Young People: Images and Observations Shifra Schonmann Eingeschränkte Leseprobe - 2006 |