Theatre: Choice in ActionHarperCollins College Publishers, 1995 - 379 Seiten |
Im Buch
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Seite 111
... character , they became , in a sense , co - authors . The actor working from the inner character to the outer uses the playwright's work as a jumping - off point , spending considerable time in his or her imagination , away from the ...
... character , they became , in a sense , co - authors . The actor working from the inner character to the outer uses the playwright's work as a jumping - off point , spending considerable time in his or her imagination , away from the ...
Seite 118
... character were not mutually exclusive ; every actor uses some of each . The true actor , he says , works from the in- side and the outside at the same time . Good acting is a balance between the two approaches . Sarah Siddons ( 1755 ...
... character were not mutually exclusive ; every actor uses some of each . The true actor , he says , works from the in- side and the outside at the same time . Good acting is a balance between the two approaches . Sarah Siddons ( 1755 ...
Seite 170
... character is made up of many assembled details . Cos- tumes , like scenery , provide specific information for the audience . Place , character , character relationships , and socioeconomic level are some cate- gories of information ...
... character is made up of many assembled details . Cos- tumes , like scenery , provide specific information for the audience . Place , character , character relationships , and socioeconomic level are some cate- gories of information ...
Inhalt
Introduction | 1 |
CHOICE AND INTERPRETATION | 9 |
PART 2 | 68 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
actor actress Arkadina audi audience audience's Blanche Blanche's Brack Brecht Broadway character choices collaborative color comedy communicate costume designer create dance dark dialogue drama dress Driving Miss Daisy duction effect Elvsted emotional ESTRAGON Eunice example feel Figure Grotowski Guthrie Theater Hedda Gabler Heidi Chronicles important interpretation Jo Mielziner Joseph Chaikin kind Lady Macbeth lighting designer look Lovborg Masha meaning Mitch move musical Nina nonprofit theatre onstage painted performance space Peter Peter Brook Photo play Playwrights Horizons plot point of view production concept relationship Repertory responsible Robert Edmond Jones role says scene scenery scenic designer Scoop Seagull Shakespeare sketch Sorin stage directions stage manager stage picture Stanislavski Stanley Stella story Streetcar Named Desire Susan takes place tells Tesman Thea theatrical thing tion tragedy Treplev Trigorin Wendy Wasserstein window witches written York
Verweise auf dieses Buch
The Arts in Children's Lives: Context, Culture, and Curriculum Liora Bresler,C.M. Thompson Keine Leseprobe verfügbar - 2002 |
Theatre as a Medium for Children and Young People: Images and Observations Shifra Schonmann Eingeschränkte Leseprobe - 2006 |