Hamlet: The Texts of 1603 and 1623: Third SeriesBloomsbury Academic, 22.03.2006 - 384 Seiten "This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text. This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text" -- Publisher description. |
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Seite 37
... nature of the Elizabethan theater ' or that it is ' closer than the longer versions to actual Jacobean stage practice ' ( Christopher McCullough and Jonathan Holloway , as quoted earlier ) . In such remarks , from people involved in ...
... nature of the Elizabethan theater ' or that it is ' closer than the longer versions to actual Jacobean stage practice ' ( Christopher McCullough and Jonathan Holloway , as quoted earlier ) . In such remarks , from people involved in ...
Seite 199
... nature ; Forward , not permanent ; sweet , not lasting ; The suppliance of a minute - no more . OPHELIA Think it no more . For nature crescent does not grow alone In thews and bulk , but as his temple waxes The inward service of the ...
... nature ; Forward , not permanent ; sweet , not lasting ; The suppliance of a minute - no more . OPHELIA Think it no more . For nature crescent does not grow alone In thews and bulk , but as his temple waxes The inward service of the ...
Seite 351
... nature , honour and exception Roughly awake , I here proclaim was madness . Was't Hamlet wronged Laertes ? Never Hamlet . If Hamlet from himself be ta'en away 180 And when he's not himself does wrong Laertes , Then Hamlet does it not ...
... nature , honour and exception Roughly awake , I here proclaim was madness . Was't Hamlet wronged Laertes ? Never Hamlet . If Hamlet from himself be ta'en away 180 And when he's not himself does wrong Laertes , Then Hamlet does it not ...
Inhalt
Introduction | 1 |
THE TRAGICAL HISTORY | 41 |
THE TRAGEDY | 173 |
Urheberrecht | |
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actors Ard Q2 BARNARDO Ben Greet better Capell CORAMBIS dead death Denmark doth drink edited editors Edwards emend Enter HAMLET Enter KING error Exeunt Exit eyes F lines F reading father follow Q2 Fortenbrasse Fortinbras GENTLEMAN Gertred GHOST give GRAVEDIGGER GUILDENSTERNE HAMLET Ay hast hath heart heaven Hibbard adopt Q2's Hibbard prefer Q2's HORATIO i'th Irace is't Jenkins King Hamlet King's Laertes Leartes look lord MacDonald madness MARCELLUS MARCELLUS HAMLET Marry means misreading mother murder Ofelia OPHELIA OSRICKE Oxf and Hibbard perhaps phrase play Players POLONIUS pray preferred e.g. presumably Prince Hamlet production of Q1 prose Q1 lines Ql's Quarto QUEEN Red Shift revenge REYNOLDO ROSINCRANCE Rossencraft and Gilderstone Scene seems sense Shakespeare soul speak speech stage Stratford-upon-Avon subst tell Theatre of NOTE thee thou three texts Voltemar Weiner and Irace William Poel words