Shakespeare as Prompter: The Amending Imagination and the Therapeutic Process
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.
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The Frame of Things
The secret whispers of each others watch
Emphasis Rhythm and Cadence
Shakespeares Paraclinical Precision
Mind and Body
Clinical Compression Subtext and LifeSentence
Forensic Psychotherapy as Paradigm
Clinical Phenomenology and Shakespeare
action actor aesthetic imperative alexithymia amending imagination aspects association awareness become body Broadmoor Hospital cadence Cleopatra IV clinical concept conscious Coriolanus Cox and Theilgaard creative deixis depth described disturbance dramatic dream dynamic echoes emotional empathy example experience eyes fantasy feeling forensic psychotherapy Freud Hamlet human implies individual inner world interpretation intrapsychic Julius Caesar King Lear Laertes language linked look Macbeth madness meaning metaphor Midsummer Night's Dream mind mode Mutative Metaphors narration narrative failure nature object Othello paraclinical precision paradoxical patient perception personality phatic phenomena phenomenology phrase play poetic poiesis present primordial psychic psychological psychotic question reference rehearsal relationship rhythm Richard III sense sexual Shakespeare as Prompter Shakespeare prompts shape significance sometimes speak stage superego symbolic theatre and therapy Theilgaard 1987 theme therapeutic process therapeutic space therapist things thou topic Troilus and Cressida unconscious vignette words writes
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