Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 64
... words ( 11.2 ) of any woman character in the play although Hermia has more speeches ( 9.5 percent to Helena's 7.14 ) . Hermia's fewer lines ( 7.5 percent ) and words ( 7.9 percent ) sug- gest the difference in the pattern of the ...
... words ( 11.2 ) of any woman character in the play although Hermia has more speeches ( 9.5 percent to Helena's 7.14 ) . Hermia's fewer lines ( 7.5 percent ) and words ( 7.9 percent ) sug- gest the difference in the pattern of the ...
Seite 124
... words again here : For Gloucester's death , I slew him not , but to my own disgrace Neglected my sworn duty in that case . According to Rossiter , Mowbray's words only make sense in the context of Woodstock , where Gloucester had ...
... words again here : For Gloucester's death , I slew him not , but to my own disgrace Neglected my sworn duty in that case . According to Rossiter , Mowbray's words only make sense in the context of Woodstock , where Gloucester had ...
Seite 157
... words . Hal triumphs not in woes only but in words also . Attributed dialogue in 1 Henry IV and in the plays written after it can be both sophisticated and complex . In the earlier dramas , on the other hand , its occasional ...
... words . Hal triumphs not in woes only but in words also . Attributed dialogue in 1 Henry IV and in the plays written after it can be both sophisticated and complex . In the earlier dramas , on the other hand , its occasional ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York