Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 86
Seite 35
... woman playing a man , like the position of the young men playing women's parts on the Elizabethan stage in general , upsets the restriction of erotic attraction to heterosexual binarism in part because that dualism is collapsed in ...
... woman playing a man , like the position of the young men playing women's parts on the Elizabethan stage in general , upsets the restriction of erotic attraction to heterosexual binarism in part because that dualism is collapsed in ...
Seite 95
... woman's face ? From women's eyes this doctrine I derive : They are the ground , the books , the academes , From whence doth spring the true Promethean fire . For where is any author in the world Teaches such beauty as a woman's eye ...
... woman's face ? From women's eyes this doctrine I derive : They are the ground , the books , the academes , From whence doth spring the true Promethean fire . For where is any author in the world Teaches such beauty as a woman's eye ...
Seite 376
... WOMAN : EMILIA : Dainty , madam . Of all flowers , Methinks a rose is best . . . It is the very emblem of a maid ; For when the west wind courts her gently , How modestly she blows , and paints the sun With her chaste blushes ! When the ...
... WOMAN : EMILIA : Dainty , madam . Of all flowers , Methinks a rose is best . . . It is the very emblem of a maid ; For when the west wind courts her gently , How modestly she blows , and paints the sun With her chaste blushes ! When the ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York