Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 29
... Theatrical Observer ( rebuke and forgiveness ) . NOT RECONCILED : Times . SILVIA : Spectator ( dignified ) ; Times and Theatrical Journal ( cold ) ; Morning Herald ( lack of byplay ) . 20 Details of scenery are based on a printed flyer ...
... Theatrical Observer ( rebuke and forgiveness ) . NOT RECONCILED : Times . SILVIA : Spectator ( dignified ) ; Times and Theatrical Journal ( cold ) ; Morning Herald ( lack of byplay ) . 20 Details of scenery are based on a printed flyer ...
Seite 264
... theatrical prac- tices than to any historical awareness of what Elizabe- than ones had been ; but nevertheless I think Whiter , and Malone before him , have grasped something really central to the play here . Whiter goes on to develop ...
... theatrical prac- tices than to any historical awareness of what Elizabe- than ones had been ; but nevertheless I think Whiter , and Malone before him , have grasped something really central to the play here . Whiter goes on to develop ...
Seite 317
... theatrical use of language and a " serious " or " ordinary " use of language . Jacques Derrida , Barbara Johnson , and Shoshana Felman have amply demonstrated that such a distinction is unten- able . But each of these critics argues ...
... theatrical use of language and a " serious " or " ordinary " use of language . Jacques Derrida , Barbara Johnson , and Shoshana Felman have amply demonstrated that such a distinction is unten- able . But each of these critics argues ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York