Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 127
... tell it to others : In winter's tedious nights sit by the fire With good old folks and let them tell thee tales Of woeful ages long ago betid ; And ere thou bid good night , to quite their griefs , Tell thou the lamentable tale of me ...
... tell it to others : In winter's tedious nights sit by the fire With good old folks and let them tell thee tales Of woeful ages long ago betid ; And ere thou bid good night , to quite their griefs , Tell thou the lamentable tale of me ...
Seite 168
... tell wat is dat . K. Hen . No , Kate ? I will tell thee in French ... ( 5.2.169-77 ) Henry's French may be no better than Katherine's English , but it is nonetheless a kind of French - the kind an English king would speak . However ...
... tell wat is dat . K. Hen . No , Kate ? I will tell thee in French ... ( 5.2.169-77 ) Henry's French may be no better than Katherine's English , but it is nonetheless a kind of French - the kind an English king would speak . However ...
Seite 311
... tell us that power is fleetingly , intermittently , and only phantasmatically granted the male voice . And they tell us , moreover , that his voice may not be the only sound that matters . Still , we must acknowledge that Eurydice's ...
... tell us that power is fleetingly , intermittently , and only phantasmatically granted the male voice . And they tell us , moreover , that his voice may not be the only sound that matters . Still , we must acknowledge that Eurydice's ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York