Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 77
Seite 26
... sense but preferred the early nineteenth cen- tury , with a Byronic Proteus . Langham's production and its imitators were hard to forget.38 Another notable feature of the production was its suc- cess in giving Shakespeare's sketchily ...
... sense but preferred the early nineteenth cen- tury , with a Byronic Proteus . Langham's production and its imitators were hard to forget.38 Another notable feature of the production was its suc- cess in giving Shakespeare's sketchily ...
Seite 169
... sense of direction is privileged , in every sense , and he is the only character in Shakespeare's historical universe who maintains this privilege from first to last . As such , he has the rather opaque quality that accompanies any ...
... sense of direction is privileged , in every sense , and he is the only character in Shakespeare's historical universe who maintains this privilege from first to last . As such , he has the rather opaque quality that accompanies any ...
Seite 206
... sense that he is chronically slighted and betrayed , his sense of self - division - produces ( or perhaps is produced by ) fantasies of his body as penetrated and contaminated , especially by Othello . In fact , any traffic between in ...
... sense that he is chronically slighted and betrayed , his sense of self - division - produces ( or perhaps is produced by ) fantasies of his body as penetrated and contaminated , especially by Othello . In fact , any traffic between in ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York