Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 33
... role of male actor playing a woman playing a man , Viola / Cesario must literally perform the role of the male ; her success before the aristocratic Orsino and Olivia consequently points to the constructedness and performative charac ...
... role of male actor playing a woman playing a man , Viola / Cesario must literally perform the role of the male ; her success before the aristocratic Orsino and Olivia consequently points to the constructedness and performative charac ...
Seite 61
... role of Hel- ena to his favorite actress , Ada Rehan , reassigned many of the interrupting lines to the women . Altering the text and countering its implication of the silent women , Daly gave several of the lines of the commentators to ...
... role of Hel- ena to his favorite actress , Ada Rehan , reassigned many of the interrupting lines to the women . Altering the text and countering its implication of the silent women , Daly gave several of the lines of the commentators to ...
Seite 282
... role Iago constructs for Roderigo , a characteristic example of how Iago appro- priates the credit of an intermediate voice . In the effort to fire Brabanzio up against Othello , Iago uses his own voice in chorus with Roderigo's . To ...
... role Iago constructs for Roderigo , a characteristic example of how Iago appro- priates the credit of an intermediate voice . In the effort to fire Brabanzio up against Othello , Iago uses his own voice in chorus with Roderigo's . To ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York