Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 213
... reading of the play through projection for a symbolic reading of lago and Othello as parts of a single whole . For some- what later versions of lago as Othello's projection , see , e.g. , Henry L. Warnken , " Iago as a Projection of ...
... reading of the play through projection for a symbolic reading of lago and Othello as parts of a single whole . For some- what later versions of lago as Othello's projection , see , e.g. , Henry L. Warnken , " Iago as a Projection of ...
Seite 239
... reading of Webster's The White Devil , it is Lever's similarity to Marxist criticism that stands out , not his humanism . The characters are seen as " victims of power " : guilty or innocent , they stifle in the " suffocat- ing ambience ...
... reading of Webster's The White Devil , it is Lever's similarity to Marxist criticism that stands out , not his humanism . The characters are seen as " victims of power " : guilty or innocent , they stifle in the " suffocat- ing ambience ...
Seite 327
... reading depends not only on recent Tempest criti- cism - what one might call the American readings- but on studies of England's colonial role in Ireland . My aim is , first , to provide descriptions of the con- temporary colonial ...
... reading depends not only on recent Tempest criti- cism - what one might call the American readings- but on studies of England's colonial role in Ireland . My aim is , first , to provide descriptions of the con- temporary colonial ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York