Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 66
... play , 2 and the most obvious motive suggested by this popu- larity is the play's commercial potential ( written by an already - famous playwright , reworking material that was all the rage in contemporary London ) . While this motive ...
... play , 2 and the most obvious motive suggested by this popu- larity is the play's commercial potential ( written by an already - famous playwright , reworking material that was all the rage in contemporary London ) . While this motive ...
Seite 248
... play treats his antagonists no less coolly . As a consequence , audi- ences and critics have often seen the play as working not so much upon our passions as upon our analytic faculties . ' But what questions does the play address ? In ...
... play treats his antagonists no less coolly . As a consequence , audi- ences and critics have often seen the play as working not so much upon our passions as upon our analytic faculties . ' But what questions does the play address ? In ...
Seite 269
... play a ' spectacle of state ' ; 28 Pye uses the same phrase when he argues that ' Macbeth's " rapture " aligns the play with spectacles of state . " 29 But within Macbeth , it is not only that the Weird Sisters perform a purely private ...
... play a ' spectacle of state ' ; 28 Pye uses the same phrase when he argues that ' Macbeth's " rapture " aligns the play with spectacles of state . " 29 But within Macbeth , it is not only that the Weird Sisters perform a purely private ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York