Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 23
... performance . In this production , declared the latter , the " puerile complica- tions and improbabilities " of the plot , which would have been " more glaring " in a realistic setting , " be- came of little account , " and the play's ...
... performance . In this production , declared the latter , the " puerile complica- tions and improbabilities " of the plot , which would have been " more glaring " in a realistic setting , " be- came of little account , " and the play's ...
Seite 33
... performance of cross - dressing can be disruptive , Butler argues , to the extent it " reflects the mundane impersonations by which heterosexually ideal genders are performed " ( 231 ) or " exposes the failure of hetero- sexual regimes ...
... performance of cross - dressing can be disruptive , Butler argues , to the extent it " reflects the mundane impersonations by which heterosexually ideal genders are performed " ( 231 ) or " exposes the failure of hetero- sexual regimes ...
Seite 35
... performance , a performance that shows gender to be a part playable by any sex . Critics have struggled recently to determine the degree to which such theatrical gender trouble affected the social fabric of Renaissance England ...
... performance , a performance that shows gender to be a part playable by any sex . Critics have struggled recently to determine the degree to which such theatrical gender trouble affected the social fabric of Renaissance England ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York