Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 192
... identity emerges which may be called narcissistic . It is not as yet a sense of identity , for that presupposes consciousness . I see in it rather a primary organizational principle without which the process of developmental ...
... identity emerges which may be called narcissistic . It is not as yet a sense of identity , for that presupposes consciousness . I see in it rather a primary organizational principle without which the process of developmental ...
Seite 248
... Identity Burton Hatlen , University of Maine at Orono Lisa Hopkins , Sheffield Hallam University. Tonally ... identity and shame.2 Identity is born at the interface between the public and the private realms . But because it is ...
... Identity Burton Hatlen , University of Maine at Orono Lisa Hopkins , Sheffield Hallam University. Tonally ... identity and shame.2 Identity is born at the interface between the public and the private realms . But because it is ...
Seite 251
... identity either in Rome or among the Volscians , he is now condemned to remain " a kind of nothing " forever . Thus it should not surprise us that he surrenders to death without a struggle . Of all Shakespeare's tragic protagonists ...
... identity either in Rome or among the Volscians , he is now condemned to remain " a kind of nothing " forever . Thus it should not surprise us that he surrenders to death without a struggle . Of all Shakespeare's tragic protagonists ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York