Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 284
... death , death seen preeminently as eternity , silence , that is to say , as mystery . The individual " pass [ es ] through nature to eternity " ( 1.2.73 ) and " the rest is silence " ( 5.2.358 ) . These memorable phrases from Hamlet ...
... death , death seen preeminently as eternity , silence , that is to say , as mystery . The individual " pass [ es ] through nature to eternity " ( 1.2.73 ) and " the rest is silence " ( 5.2.358 ) . These memorable phrases from Hamlet ...
Seite 291
... Death in the Dance of Death , " that " in the Dance of Death , when Death steals valuables or plays with crowns , he is thief not only of material goods but of honor and pride — as here Claudius has stolen kingship - of life , and ...
... Death in the Dance of Death , " that " in the Dance of Death , when Death steals valuables or plays with crowns , he is thief not only of material goods but of honor and pride — as here Claudius has stolen kingship - of life , and ...
Seite 389
... death itself virtuous and so provides himself with a consolation for death , and he finds the youth's inevitable death to be evidence of his virtue , a consolation in death . Sonnets 71-74 shift the focus of the sequence from the young ...
... death itself virtuous and so provides himself with a consolation for death , and he finds the youth's inevitable death to be evidence of his virtue , a consolation in death . Sonnets 71-74 shift the focus of the sequence from the young ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York