Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 39
... calls the " metaphysics of gender substance " continues in his role as Sir Topas , the Pythagorean curate , in act 4. " " That that is , is , " the learned cross - dressing Sir Topas pro- claims , " I , being Master Parson , am Master ...
... calls the " metaphysics of gender substance " continues in his role as Sir Topas , the Pythagorean curate , in act 4. " " That that is , is , " the learned cross - dressing Sir Topas pro- claims , " I , being Master Parson , am Master ...
Seite 282
... calls upon Brabanzio to ' recognize ' his voice ( ' Most reverend signor , do you know my voice ? ' [ 93 ] ) . He calls upon Brabanzio not merely to recognize that it is Roderigo who speaks but also to recognize that the speaker's ...
... calls upon Brabanzio to ' recognize ' his voice ( ' Most reverend signor , do you know my voice ? ' [ 93 ] ) . He calls upon Brabanzio not merely to recognize that it is Roderigo who speaks but also to recognize that the speaker's ...
Seite 318
... call the " female " tongue . We might understand the tropological status of what counts as female in this play in one further way . As we have seen , what Felman calls an unconscious " breach in knowledge " is marked by the misfiring of ...
... call the " female " tongue . We might understand the tropological status of what counts as female in this play in one further way . As we have seen , what Felman calls an unconscious " breach in knowledge " is marked by the misfiring of ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York