Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 53
... Prince . Nonexistent in the play and seeming to symbolize Oberon's drive for dominance over Titania - or perhaps his jealousy of her - the prince materializes into an actual character . Not listed in the dramatis personae , he takes on ...
... Prince . Nonexistent in the play and seeming to symbolize Oberon's drive for dominance over Titania - or perhaps his jealousy of her - the prince materializes into an actual character . Not listed in the dramatis personae , he takes on ...
Seite 187
... Prince Hal , have attracted scrutiny from traditional character critics like A.C. Bradley , L.L. Schucking , and J.I.M. Stewart , and psychoanalytic critics like Ernst Kris.2 My plan in this chapter is less to review various analyses of ...
... Prince Hal , have attracted scrutiny from traditional character critics like A.C. Bradley , L.L. Schucking , and J.I.M. Stewart , and psychoanalytic critics like Ernst Kris.2 My plan in this chapter is less to review various analyses of ...
Seite 189
... Prince . Falstaff . Now , Hal , what time of day is it , lad ? Prince . Thou art so fat - witted with drinking of old sack , and unbuttoning thee after supper , and sleeping upon benches after noon , that thou hast forgotten to demand ...
... Prince . Falstaff . Now , Hal , what time of day is it , lad ? Prince . Thou art so fat - witted with drinking of old sack , and unbuttoning thee after supper , and sleeping upon benches after noon , that thou hast forgotten to demand ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York