Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 203
... Othello famously begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy - one thinks of Lear , Macbeth , Antony and ...
... Othello famously begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy - one thinks of Lear , Macbeth , Antony and ...
Seite 204
... Othello . Othello- and particularly in relation to Desdemona - becomes Iago's primary target in part because Othello has the presence , the fullness of being , that lago lacks . Othello is everywhere associated with the kind of interior ...
... Othello . Othello- and particularly in relation to Desdemona - becomes Iago's primary target in part because Othello has the presence , the fullness of being , that lago lacks . Othello is everywhere associated with the kind of interior ...
Seite 210
... Othello , blackening him with his own inner waste . Iago plainly needs an Othello who can carry the bur- den of his own contamination ; and to some extent the play makes us complicit in the process , as it makes Othello in effect into ...
... Othello , blackening him with his own inner waste . Iago plainly needs an Othello who can carry the bur- den of his own contamination ; and to some extent the play makes us complicit in the process , as it makes Othello in effect into ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York