Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 243
... Neoplatonic notions of the soul's per- fectibility , but to Hamlet's disillusion " at the failure of the Stoic ideal in others and himself " ( 224 ) . Sinfield finds the ideological complexities to be most strongly marked in Hamlet's ...
... Neoplatonic notions of the soul's per- fectibility , but to Hamlet's disillusion " at the failure of the Stoic ideal in others and himself " ( 224 ) . Sinfield finds the ideological complexities to be most strongly marked in Hamlet's ...
Seite 384
... Neoplatonic Consolation ( Sonnets 22-42 ) The manipulation of the Neoplatonic commonplace that lovers share identities provides the dominant strategy of consolation among those sonnets numbered 22-42 . Concern with the mutability of ...
... Neoplatonic Consolation ( Sonnets 22-42 ) The manipulation of the Neoplatonic commonplace that lovers share identities provides the dominant strategy of consolation among those sonnets numbered 22-42 . Concern with the mutability of ...
Seite 385
... Neoplatonic love . Shakespeare bases the poem's argument on the Ficinian description of the inner similarity between lovers . But although it invokes this Neoplatonic commonplace , the sonnet suggests not the unity of the lovers , but ...
... Neoplatonic love . Shakespeare bases the poem's argument on the Ficinian description of the inner similarity between lovers . But although it invokes this Neoplatonic commonplace , the sonnet suggests not the unity of the lovers , but ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York